From the opening full-bleed, full-spread watercolor illustration of a young boy greeting the dawn in front of his grass-roofed hut with arms stretched wide toward heaven, to the final spread of a community gathered to praise God under a baobab tree’s encompassing branches, a spirit of quiet joy and wonder reverberates through this tale. As brother and sister Moyo and Japera walk dusty roads to the next village, they pass through their diverse community: weaverbirds in acacia trees, gazelle at a watering hole, a termite mound “rising from the tall grass like a finger pointing to heaven,” rendered by Lewis (Bat Boy and His Violin) as a vivid red natural sculpture decorating a brown, arid plain. Amid the children’s observations and musings, Stiegemeyer (Seven Little Bunnies) interweaves the refrain “But who will gather today under the baobab tree?” A preface page introduces the baobab tree, describing its practical and spiritual value to the African savanna’s human and animal communities. Understated lyricism combines with uncluttered, foreground-focused depictions of creation in this prose hymn of thanksgiving, prayer, and praise. Ages 4–7. (May)
Thursday, May 3, 2012
Under the Baobab Tree
From the opening full-bleed, full-spread watercolor illustration of a young boy greeting the dawn in front of his grass-roofed hut with arms stretched wide toward heaven, to the final spread of a community gathered to praise God under a baobab tree’s encompassing branches, a spirit of quiet joy and wonder reverberates through this tale. As brother and sister Moyo and Japera walk dusty roads to the next village, they pass through their diverse community: weaverbirds in acacia trees, gazelle at a watering hole, a termite mound “rising from the tall grass like a finger pointing to heaven,” rendered by Lewis (Bat Boy and His Violin) as a vivid red natural sculpture decorating a brown, arid plain. Amid the children’s observations and musings, Stiegemeyer (Seven Little Bunnies) interweaves the refrain “But who will gather today under the baobab tree?” A preface page introduces the baobab tree, describing its practical and spiritual value to the African savanna’s human and animal communities. Understated lyricism combines with uncluttered, foreground-focused depictions of creation in this prose hymn of thanksgiving, prayer, and praise. Ages 4–7. (May)
Thursday, March 26, 2009
The Year of Living Biblically
Here’s the thing: I believe that his honest, up-front, curious approach to the Bible is much more appealing than many who call themselves Christians, but end up living pharisaical, hypocritical lives. Their words are sweet, but underneath there is a maliciousness that lurks behind the happy, smiling faces. And who am I to judge? I am guilty too.
But I like the approach Jacobs takes. He genuinely tries. He seeks to live Biblically. He counts the times each day that he lies. He attempts to forgo coveting his neighbor’s belongings. He's honest with himself and with his readers. I like that.
Sometimes his efforts are over the top. The Gospel of Christ has trumped the need to sacrifice animals, etc. So I don’t agree with Jacobs on all points. I don’t believe that men need to grow beards or women need to sit in a red tent once a month.
However, I find his approach refreshing. This is how to discuss religion: to have a frank, open discussion without judgment.
I’m only about a third of the way through the book, but I already heartily endorse it. It's given me a lot to think about in terms of God's laws, the goodness of God, and the mercy of Christ.
I meant to post about this earlier, but the author is coming to speak at IPFW this evening for an Omnibus Lecture.
